I’d rather be able to handle it myself like a normal manager, but my bankruptcy made that impossible. He didn’t go through them trenches. Not even speaking on all of the resources we acquired those years and later used, point plainly, if he never gets dropped, he never makes Piñata. No problem. It just didn’t seem worth it, and the quality always sucked. “I thought you were an emotionless asshole this whole time,” is what he told me. Gangsta Grillz and the iTunes with the bonus tracks. We knew we had the best crack, people just had to try it. I’m just trying to keep myself together until then, but I’m confident that I have plenty of time to do everything I want. He’s a complete artist. I got sick in the second wave, earlier in the tour, and stopped smoking right then, but the rest of the guys kept at it like nothing going. I even explained to somebody the 30% issue and they’re looking at me like, “How do you get fired over something so small?” My story doesn’t add up. We need to talk. he's always texted me back pretty quickly and it's been a full day now so idk what to think. He wasn’t engaged on the tour, I know that much. We’re feeling like bandits, like how did we actually get here? Empire, me. 10, 20, 30 times. It’s interesting trying to get a job when your most recent experience is over five years entrenched in gangsta rap. I selected what I felt were the best ones and Decon figured out the layout. Pill was buzzing a little bit at the time, but what really impressed me were the emails they sent out, explaining the message behind the music. Our publisher did that. I proposed that we each get 10%, with the remaining going to the artist. I like hats, but not to that extent. In those 5+ years we managed him together, he didn’t help me on anything he said he would. I had a couple texts before I even woke up. I helped book shows and sold tickets, and got their cd’s made. I’m making more money, I stopped selling on the side and changed my number to get rid of any random calls. He and I are talking and little things are bothering him. I’ve been telling people since 2005 that they need to just give me a budget, let me work his music, and you’ll see a profit. Helmsley actually got a little upset at me for that because I didn’t run it by him first, I just did it. We get to the Decon show 25 or so deep, rolling with LEP, our homies, and they homies. I created the concept, picked beats, got it recorded. I built a garden, got the foliage right, and the shade all perfect. He screamed on me with his reasoning for a good five minutes straight, but I wouldn’t give in. I told that other guy about the meeting right away and hid nothing. I might have been too far along for that first job, but this MMG one is exactly what I’m doing and right up my alley. It took a second, but with my help he calmed down, started breathing normally again, and everything was ok. I’d like to be social, but I barely have money for food, and I’m not interested in playing a bunch of games. As much as what happened next hurt, and it created some crazy wounds, I healed. He had altercations before. The Minnesota Viking introduced me to Toxic, and he made all the covers. I look out for others as much as I can. Paying for the van was no problem, we’re making more than enough, but we don’t have a credit card. I don’t know what happened with his first label job, but he stopped working there and was looking for something else. Click here to join our channel (@indianexpress) and stay updated with the latest headlines. He apologized and said that it must’ve just slipped. I’m never going back. Working out more, staying flexible. A lot of loneliness that greatly affected me without me realizing it. We dropped midwestgangstaboxframecadillacmuzik with Smoking Section and things are moving. All of the producers liked the music that was made, so it wasn’t too difficult. He doesn’t think it’s coming out anytime soon, and everything is falling apart. I ended up driving the whole time. Tires are a pain. No label. I always parked at a cheap lot close by whenever we traveled to save on costs. We’re going to pick up money later that night at the show, and I told him that I would give him the money I borrowed to cover the rental back then, along with the new commission he’s owed. Almost every weekend. Along with the merch issue, I also over ordered on Piñata cd’s. I also decided to file for bankruptcy and stopped paying my cards. Buddy and I stopped working together when the album came out, but it’s all love. Features where the person would email me, and I deal with everything. Nothing will ever change that fact and it’s all on him to make it right. I was his designated driver. He helped open a lot of doors and is always reliable, to this day. Most artists use a large agent, and they have the same places that they always go, but French was actually in the trenches. I feel good about myself. We were there a lot. I talk to that person you know and he’s fine with it. I negotiate and collect. We’ve both said horrible things about one another, and we’re both wrong in that regard. He also didn’t want any money. All of our label meetings at this time were jokes, nothing ever got serious. I also wrote this for any artist that’s looking to do this themselves. The trip was cool overall, but I don’t think he’s having as much fun as the year before. ESGN was originally going to be a West Coast album called West Coast Thug .… (his title), with all West Coast beats and features. He was also very quick and quiet. I can’t even remember what specifically happened, but I think it was lingering issues from the Raekwon tour, and my overall attitude. Altering patterns on what had previously been reflexes. He get on a song for us, we get on a song for them. You will be loved for bringing this to the world and carried on shoulders.” “Great. I shot back, “What do you mean, we’ll figure it out? He’s had to fight for so much, for so long, and I’m not interested in harming what he’s doing in any way. Anyway, fast forward to the end of the night. He signed a three year deal in ‘04, so it was either going to be renewed, or he’d go somewhere else. Helmsley never talked about him, but I didn’t know why. Manhattan is really gifted. It’s unsightly, but since the recliner still works, I figure the TV is the better option and go with that. Called his new dj. He didn’t go for it, and Home was also on my version, but he did like one of the interludes I grabbed and that became Supplier. I can’t have a life, or really function that well, but at least I can work on his music. How about mutual masturbation? I responded to feel him out, and he stayed on it. He helped him out with little things here and there in L.A. and was quite essential in those days.

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