From there, the mood on Drip or Drown 2 lightens considerably. The drowsy Atlanta rapper polishes his style and submits some of his best songs, but the same thing that makes Gunna dependable also makes him predictable. And yet it is still the best Gunna solo effort to date, owed primarily to his pronounced understanding of what the average Gunna song does well and how exactly to replicate those same effects. A protege of the eccentric 300 rapper signed to his YSL imprint and deeply indebted to him stylistically, Gunna raps like his mentor is very tired. to the basic tariffs. If, at any time, you have specific questions or concerns about the Be it the closed-loop chants of “Wit It” and “Same Yung Nigga” or the clipped chirps of “Speed It Up,” Gunna has an uncanny feel for settling his mellowed croons into the thick of any beat; here produced primarily by Wheezy and Turbo, that means bending in and out of shape with washed-out guitar riffs (“Yao Ming”), flickering synths (“Derrick Fisher”), and guzheng plucks (“Who You Foolin”). Meanwhile, thanks to its endless repetition, his braggadocio becomes predictable and occasionally depressive. The company is committed to facilitating the accessibility and usability of its Web site for all people with In fact, just thirty seconds into opening track “Wit It,” Wheezy has built an atmosphere that carries through the entire album. Over a burbling beat, Gunna flexes about making his first million, getting off Xanax and flying in private jets. Each newsletter contains an unsubscribe link. He never seems to punch in. © 2020 Guardian News & Media Limited or its affiliated companies. Available for everyone, funded by readers. Gunna has a very clear and obvious wheelhouse he’s reluctant to stray from, perhaps because it has led him directly to a Top 5 first sales week and a platinum single. If Thug’s method is astral projection, one impulsive out-of-body experience after another, Gunna’s is closer to lucid dreaming. The biggest critique of the album is the songs can be to closely similar to one another and Gunna seems to have found his sound and taste for Wheezy Beats. With each song bringing a feeling as or more engaging than the last, Drip Season 3 was one of the best projects of 2018 and turned Gunna into one of rap's newe relevant portions of the World Wide Web Consortium's Web Content Accessibility Guidelines 2.0 Level AA “Big Boss” and “On A Mountain” see Gunna in cheerier voice; the harpsichord sample that forms the core of the latter coming through like the logical conclusion to Future’s flute-trap. In Gunna’s world, private jets and designer brands are reduced to nothing more than syllables for him to deliver - perfectly on beat in a variety-less monotone. Young Stoner Life Records/300 Entertainment, *If you submitted your e-mail address and placed an order, we may use your e-mail address to inform you If you do encounter an accessibility issue, please specify the Web page(s) to Stronger than any of his mixtapes or EPs, Drip or Drown 2 is a promising debut album filled with hints of a talent yet to be fully realized on record. His bars vary from the goofy (“She made me bust a nut, that’s a starburst”) to the confusingly profound (“Time is poured on me when I ride that Maybach”), but it’s his ability to apply his signature inflection to just about any rhythm he conjures up that can make Drip or Drown 2 nearly hypnotizing. On the surface at least, the only difference between Drip or Drown 2 and its predecessors is the style of cover art, this time a photographic riff on Nirvana’s iconic Nevermind in place of the illustrations that have covered its forebears. You can object to the use of your e-mail However, a few tracks into the project, the real difference becomes apparent. These cuts take standard Gunna formats and reinforce them, reimagining several of his best songs in the process. It’s all well-trodden ground, but the imagery Gunna conjures up – vintage clothes as old as his granny, candy-colored cars – can’t help but endear you somewhat to the Young Thug protégé. Take second track “Outstanding,” produced by Ghetto Guitar and Turbo, for example. If you read the lyrics on their own, you’d think he was as triumphant as a turned-up pop rapper: it’s a roll-call of material success, including an endless stream of “foreigns”, continuing the ongoing rapper fetish for non-US cars that must have General Motors’ marketing department covered in anxious Post-Its. disabilities. More than a throwaway pun taken too far, on Gunna’s debut to ‘drip or drown’ feels like life or death. As trap and its Skittle-colored offshoots have taken over the charts, the line between mixtape and album has blurred even more than it once did. As the record progresses through tracks like “Speed It Up” and “Baby Birkin,” it becomes less clear whether Gunna is reveling in his successes or just wallowing in fame. Case in point is Gunna’s Drip or Drown 2, the sixth full-length project from the Georgia native, including Drip Harder, his joint project with Lil Baby. All of this comes together to make it clear why Gunna would claim Drip or Drown 2 as his debut album. The result is a gentle, poised record: the perfect rap album for a bruised America. But there are moments when Thug pops out of the mix—“Jeepers creepers, the gators got measles, shit!/I fucked up the bank, bought a rose gold shank,” he yowls at one point—demonstrating a very obvious distance between them. After releasing a series of underground mixtapes and being nurtured by Young Thug, 25-year-old rapper Gunna was picked up for guest spots by Mariah Carey, Travis Scott and Future in 2018, and hit the US Top 5 via one of his collaborations with fellow Atlantan Lil Baby: the beautifully melancholic Drip Too Hard. These tracks are delivered in the Atlanta style of obsessively repeated single melodies, whose seductive monotony enhances the sense of a downbeat quest for meaning. Their complementary styles overlap on “3 Headed Snake,” where the pair is constantly switching places over Wheezy production, with Gunna naturally following Thug’s lead. There’s a monotonic quality to his performances, in tune and intensity, even as his flows twist and turn. Working with a retained accessibility consultant, it is planning to implement over time the In fact, just as things get too dark and the weight of Gunna’s jewellery threatens to becomes too much, the fog lifts. It even shares a producer with the original Drip or Drown, in the form of fellow Georgian Wheezy. Switching between dreary autotuned hooks and less filtered verses, Gunna’s mood flits between melancholy and flamboyant at a moment’s notice. Though it sags in places with materialism and Gunna’s melancholy flow, at its best, his charm shines through. (WCAG 2.0 AA) as its web accessibility standard or other standards to the extent required by the Americans with Disabilities Act (”ADA”). He stretches the ad-libs out and overlaps them, letting them spill into the next bar: the effect, as on the nominatively deterministic track Outstanding, is an impressionistic swim of words, further blurred by his smudged enunciation. Our website will be tested on a periodic basis with assistive technology such It’s roughly the same length as his last solo project, Drip Season 3, and it’s backed, as with all of Gunna’s recent work, by Young Thug’s YSL Records. be aware that our efforts are ongoing. He is amid an endless transition. Gunna is known for championing the slang term “drip” to describe his ever-stylish garms; his delivery chimes perfectly with the aquatic metaphor.The production by Wheezy and Turbo the Great is exceptional, adding delicate string flourishes – like a koto, or an echoing guitar that sounds like Arthur Russell’s cello – to the spacious trap architecture. Please When we’re all listening to these records on Spotify and Apple Music, instead of downloading them on DatPiff, does the difference even matter? Following a somewhat limited start, he eventually broke new ground with a near-perfect trifecta: a show-stealing spot on Travis Scott’s Astroworld (“Yosemite”), the Lil Baby tag-teamer “Drip Too Hard,” and the Metro Boomin-produced aerodynamic study “Space Cadet,” all songs that advanced his writing, his execution, or his range. There are just enough of these moments on Drip or Drown 2 to distract from the fact Gunna has yet to take a real, meaningful risk. Read our review. (Young Stoner Life/300 Entertainment) Ben Beaumont-Thomas. accessibility of any particular Web page on our website, please contact us at accessibility@highsnobiety.com It’s becoming increasingly difficult to work out what the phrase ‘debut album’ album even means in 2019. While Drip Season 3 may have boasted features from Lil Uzi Vert and production from Metro Boomin, Drip or Drown 2 makes clear from the jump that it’s the most considered Gunna record to date. Alternatively, you can object to Billed as the follow up to Gunna’s third tape, 2017’s Drip or Drown, DoD2 makes a compelling case study for what does or does not constitute an album. Gunna deploys another Atlantan innovation, the ad-libs of Migos where the final word of each line is emphatically repeated, but gives it a powerful spin. Whether it’s the way Gunna’s ad-libs bleed into the next line, giving the whole project a hazy, almost psychedelic feel, or the unique turns of phrase the Georgia MC conjures up to describe his opulent world, it’s clear a lot of care has gone into this album. The same predisposition that makes Gunna dependable makes him predictable, and it is holding him back. “On a Mountain” flips “Oh Okay,” his whack-a-mole routine with Thug and Baby, and stretches out the melodies. The strength of Drip or Drown 2 lies in details like these - ones that you don’t necessarily clock at first listen but would definitely miss if they were gone. regularly about similar products without prior explicit consent. Gunna and his label boss have always had chemistry but when Young Thug swoops in on “3 Headed Snake” - “rose gold shank” in hand - it saves a sizeable chunk of the album. receiving the newsletter at any time by sending an e-mail to info@highsnobiety.com. His sequences seem to have no beginnings or ends, no entry points, with hooks segueing into verses and vice versa, a string of perpetual non sequiturs (“I lied at the precinct/I didn’t sign a 360”) that can range from the completely random (buying pants for Young Thug in Japan that cost more than he made at his show) to the personal (riding in a plushed-out Benz feeling like the world was in his hands). After breaking through a year ago with Drip Season 3, Gunna has quickly become a certified rap star, peaking with an album alongside fellow rising local and like-minded droner Lil Baby called Drip Harder. Yet it’s the closing trilogy of “Out the Hood,” “Same Yung Nigga,” and “Who You Foolin” that really pull the record back from the brink, with Playboi Carti lending a cheerful feature to the penultimate track. or call +49 (0)30 235 908 500. In lieu of outward travel, then, he has opted to go deeper. But delivered in that plaintive tone, he suggests a man either dismayed at the spiritual void in his newfound wealth, or one damaged by the struggles that came before it. Pitchfork is the most trusted voice in music. Drip or Drown 2 does not further the strides taken on those songs but retreats back toward the center of his sound. Gunna: Drip or Drown 2 review – poised, plangent Atlantan justifies hype 4 / 5 stars 4 out of 5 stars. In a musical sphere that has come to promote opulence above all things, either you flex harder than the next would-be trap star trying to take your place or you sink into a sea of nearly-men. “Sometimes a gangsta need a hug,” he admits on Who You Foolin’; “We locked in the ghetto forever” asserts Lil Baby on Derek Fisher, despite having revelled in diamonds and cars at the start of his guest verse. All rights reserved. It’s important here to note that despite its unintended misanthropy, Drip or Drown 2 is not another emo-trap record, and while its production definitely skews gothic, there are moments of light peppered throughout the album. access is sought, and we will make all reasonable efforts to make that page accessible for you. For more of our reviews, head here. Overall, “ Drip or Drown 2” provides us with a solid piece of work hat is different from his mixtape days with Lil Baby.

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