We could tell during the tour, like after the album came out maybe, who bought the album, because they’d know the words to a lot of our songs. Do you think it’s fair that they have to go back into the ‘70s? Stream on your favourite service through Amplify.link Want to create your own link pages? “Let’s go somewhere and just look ourselves in the room for two-and-a-half weeks. I play the exact same way that I played. We never really laid the song down, but we wrote verses. I’m always in the studio making music. Something shifts. I don’t know how much the movie guys really like me coming around, because I’m always trying to pull him out of the movies. I put it together really fast. They only know the legacy. When you’re in the middle of it, you don’t look at it like that. [They say,] “Nas was the first album that I heard that blew my mind,” and I’m like, “Nas?” But it’s the same thing that we will joke, and we talk about The Color Purple, and we talk about Roots and just some of the things that we saw when we were younger. But by the group’s own admission, the song’s legacy has grown outward since then: You can hear the classic beat used for freestyles by Big K.R.I.T. The funny thing about it is that it was a very reciprocal relationship. There’s beach, there’s snow, there’s mountains, there’s desert. We were away from our home when it was blowing up. All digital purists say the would never play CDs, but if that’s the only way I can deliver music to people, then that’s what you have to do. Nobody cares if you blow up. This generation realizes that, “I can put a plate in the microwave and in 15 seconds, I have hot food.” Sometimes, that’s a culture shock for someone who’s been used to using it in the stove, unless you keep yourself open minded to realize that things change. It’s their turn. Tupac, meanwhile, had proved to be a commercial force over the summer with “I Get Around,” but he continued to clash with the law, getting into a gunfight in Atlanta and arrested for sexual assault in New York City. ps: we got into an argument over twitter because we both rep #teambiglips, but she just wont agree that mine are better, lol. And now you show up to a party and everybody’s standing, and the only thing you have is your record box with Reggae in it, and everybody’s wondering like, “Why is he playing Reggae all night?” It’s just hectic. At least once or twice a year, the bug comes in. It wasn’t, just, video on all the time. Now you have people from younger generations who were born in ’93, and they’re like, “93 ’til infinity.” It means so many different things to so many different people. He understands that in order to move forward, you must embrace (at the least, recognize) the new generation. I think sometimes the older generation doesn’t understand that things have to change. The time shifts. It had a whole different beat. Sometimes you find yourself being a overwhelmed that you were even a part of something that big. He’s one of the biggest movie stars on the planet. There were a lot of places we were gonna go that we didn’t make it to. How has it been working with Mac? He got the redwoods in there. But there was a TV [channel] back then called the Video Jukebox. As label interest reached a head in the early ’90s, Rhythm & Excellence became Souls of Mischief. 92 til Infinity. I have enough music to learn. But at that point in time, that was everything to me. anyway, to cut to the chase, she's one of those people in life that you should keep your eye on. 2019 Preview SONG TIME Intro 1 4:18 PREVIEW Head to the Sky 2 3:07 PREVIEW Golden Goose 3 2:16 PREVIEW It Is What It Is 4 PREVIEW M.I.A 7 2:22 PREVIEW Get Down, Pt. On the solo side, what mainly separates Jazzy Jeff from his peers is his openness to the new. It was funny because this was my first kind of social media reach out, so I kinda tweeted something to him that I really liked one of the videos to his songs. So many things that it had that you’ve never really kinda paid attention to, until now. Just because, you want to smell our roses while you’re still here. I got the ‘70s, especially with the Soul movement and the rest of that. DJ Jazzy Jeff On Being Relevant & Mac Miller’s “‘92 Til Infinity” DX: They listen and take in the knowledge. dancing, music, and fashion gets him giddy! Still touring, still recording (much of their last album, 2009’s Montezuma’s Revenge, was produced by Prince Paul), and still hitting young musician’s games like SXSW, the continued presence of Souls of Mischief is illustrative of just how prophetic “93 ‘Til Infinity” was. Learn more. Opio: When people choose to freestyle over that track, I don’t think every single time it’s just the decision of the artist. Jazzy Jeff: I don’t know. See actions taken by the people who manage and post content. What was the reasoning behind that? 92 TIL INFINITY HOODIE - WHITE Regular price $55.00 92 TIL INFINITY HOODIE Regular price $55.00 92 TIL INFINITY HOODIE - GREEN Regular price $55.00 SO … You got a pad and a pen and I’ll have all my machines, turntables and a bunch of records, and let’s just come out with something.”. It kinda gave me a completely new insight to just the younger generation, what they’re doing and how they’re doing it. DX: You mentioned that he had an explanation to why there was a disconnect between the older and newer generations. he is the other half on 92' till infinity. He tweeted back, we ended up exchanging numbers, got on the phone and we talked. DX: If you guys did put out a new album, how would you like it to sound? How do you guys feel about the way the song has continued to grow in stature over the years? & follow me via twitter @_MCMXCII, you gotta love this kid! That was it. It’s just that technology enables me to carry a lot more music and not really worry about losing it. I played in Dubai over New Year’s, and he called me like two days before asking, “Where you at for New Year’s?” I was like, “I’m in Dubai.” He would ask me that before, and he would never come, and him and Jada popped up. Sometimes an older artist doesn’t want to accept a “new” trend, whether it’s EDM and Rap or on experimental beats. For any human, the evolving audio scope can be overwhelming but the Philly native is sure about one thing—his passion for music.
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