The plot of The Testaments is being kept under lock and key.

The new book, with its three different narrators, offers fresh perspectives on Gilead and how it works. Will be used in accordance with our Privacy Policy. The book is due for release on 10th September 2019. “The Testaments really gives us much wider glimpses into other parts of the world.”.

Hulu and MGM will develop Margaret Atwood’s new novel The Testaments for the screen, the partners told TIME exclusively. With The Testaments, the wait is over. Vanity Fair may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The Testaments will help. At this point, it seems the best choice the Hulu series can make would be either to leave Gilead behind, or to kill June altogether. “There’s a huge imbalance that needs to be corrected.". But as the show has continued — Hulu has picked up a fourth season — its writers have had to develop the narrative beyond Atwood’s original story. In other words, The Testaments ends by reuniting June with her two daughters at last. Atwood, who appears on the cover of TIME this week, will release the highly anticipated follow-up to her 1985 dystopian novel on Sept. 10.

It is scheduled to launch next week on September 10 and you can pre-order the book now by clicking here.. As we gradually find out, her adoptive parents, Neil and Melanie, were operatives in Mayday, the Gilead resistance movement. But reviews of the latest season were more divided, with some critics and viewers expressing a sense of fatigue over the continual traumas depicted.

In fact, The Testaments could carry several implications for future seasons of The Handmaid’s Tale. By signing up you are agreeing to our, Khloe Kardashian Reveals Her Coronavirus Diagnosis, Sign up to receive the top stories you need to know now on politics, health and more, © 2020 TIME USA, LLC. Megan Murray is a digital journalist for stylist.co.uk, who enjoys writing about London happenings, beautiful places, delicious morsels and generally spreading sparkle wherever she can. The book is told not from the perspective of Offred, but instead from those of three other women connected to Gilead: a young woman raised in the oppressive society; a Canadian teen who learns she was actually born there; and Aunt Lydia, a major villain in both the original novel and the show. Sign up for our daily Hollywood newsletter and never miss a story.

“Surely they would have been shot by now.

But the follow-up book does ultimately bring June into its proceedings and provides what might be the most natural conclusion to the original handmaid’s story. Judge Orders Extradition of Teen Charged in Kenosha Shooting, The 5 Best New TV Shows Our Critic Watched in October 2020, You can unsubscribe at any time. During a recent interview, Atwood recalled sharing some choice words with Miller when she learned Lydia was going to be stabbed by a vengeful handmaid: “You absolutely cannot kill Aunt Lydia, or I will have your head on a plate,” she remembers saying. In its third season, The Handmaid’s Tale often worked best when it left Gilead behind—largely because it had to jump through increasingly ludicrous narrative hoops in order to keep June alive, despite her revolutionary efforts.

Our critic says Joaquin Phoenix towers in a deeply troubling film— Lori Loughlin finally gets a win. June is almost entirely absent from Atwood’s sequel novel—but in its final moments, the book provides what could easily become the natural conclusion to the character’s onscreen story.

These are exciting times for fans of The Handmaid’s Tale. Margaret Attwood's newest novel, The Testaments, has already been picked up for a new TV series. More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. The Testaments novel comes after 34 years since the first novel was published in 1985. First things first: The Testaments takes place 15 years after The Handmaid’s Tale, which ends—on the page—with June riding off to an unknown fate in the back of a van. © 2020 Condé Nast. Looking for more? The book also shows us Lydia's past, something that the show had pretty much explored in Season 3. Instead, the book focuses on narration from three separate characters: Aunt Lydia, played on The Handmaid’s Tale by the Emmy-winning Ann Dowd; a Canadian teenager named Daisy; and a Gilead-born young woman named Agnes Jemima. Atwood acknowledges the narrative strain. This is a bloody big deal. But before we discuss these in depth, one more warning: If you have not read The Testaments and wish to remain unspoiled, stop reading now. Bruce Miller, showrunner for the Emmy-winning television adaptation of The Handmaid’s Tale, is involved in discussions about how to best approach the new material. And now, 60 years into her career, Atwood is about to release potentially her most anticipated work yet in The Testaments, which has been described as the “thrilling conclusion” to Offred’s tale. She controls the world.”) Aunt Lydia arranges things so that Hannah, who is still unaware of her true identity, will become an Aunt herself—all part of her master plan.

The finale ended with the same image of Offred facing uncertainty about her future as in the book. When the book was originally published in 1985, it instantly became seminal feminist reading, but it was another 35 years before audiences were gripped by the 2017 TV adaptation starring the likes of Elizabeth Moss and Ann Dowd. Two know nothing but the Gilead, having been born since the Republic took over, while the third uses secrets as a currency to survive. Ad Choices. It’s unclear at this stage what form The Testaments will take — whether it will be folded into the existing Hulu series or developed as a separate work. Of her new book, Atwood says: “Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book. All rights reserved. June was, however, able to smuggle Nicole out of Gilead and into Canada, with help from Commander Waterford’s wife, Serena Joy—her captor turned sort-of ally.

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Even Atwood acknowledges that some of the show’s finagling feels unrealistic: “I think it’s a bit of a problem for people that know about real totalitarianism that some of these characters have survived for as long as they did,” she told the Times. Atwood, who started writing The Testaments before the show premiered, has worked closely with Miller and his team on each season, advising on story plans, details about Gilead and aspects like character names.

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