Reflecting Alan Freed's real-life concerts and radio broadcasts, film advanced the cause of integration by showing white musicians performing in the same venues as black and Hispanic performers. People want something new, but what? 7 [Excalibur], Way It Was: Rock Around the Clock the 50's. The recording was made in the Decca Records studio located in the Pythian Temple in New York City. Discover what genre Rock Around the Clock, 1956, directed by Fred F. Sears, with Bill Haley and His Comets, The Platters, Ernie Freeman Combo, belongs at Turner Classic Movies 2, Sweethearts and Stolen Kisses: From the Movies, For Lovers Only: Cruisin' Classics 1955-1960, The History of Rock 'n' Roll, Vol. Not only that, but at the end of the film the all-black Platters vocal group briefly share the stage with the all-white Comets and Bellboys groups. Most of the album's contents had in fact been previously issued by Decca earlier in 1955 on the album Shake, Rattle and Roll. Rock Around the Clock is the third album of rock and roll music by Bill Haley and His Comets. Song information for Rock Around the Clock - Bill Haley & His Comets on AllMusic. "Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. Song … Directed by Fred F. Sears. Orchestra manager Steve Hollis realizes that big-band music is dead. Rock Around the Clock is the third album of rock and roll music by Bill Haley and His Comets. Released by Decca Records in December 1955 it was, like the two albums that preceded it, a compilation album of previously issued singles. On their way to New York, Steve and his companion Corny, stop at a motel in a small place called Strawberry Springs. Rock, Jazz, Blues and more ... Our focus is on Rock, Jazz and Blues but we will feature any music genre within this website. It was also the first Haley album to make the Billboard charts, and was one of the first album releases of the rock and roll genre to do so. My Kind of Music: The Rock 'n' Roll Years! Rock Around the Clock is the third album of rock and roll music by Bill Haley and His Comets.Released by Decca Records in December 1955 it was, like the two albums that preceded it, a compilation album of previously issued singles. In the process, he came up with the sound and feel of rock & roll. Most of the album's contents had in fact been previously issued by Decca earlier in 1955 on the album Shake, Rattle and Roll. Brian Wilson's Jukebox: The Music That Inspired the Man, Saturday Night Party: Rock 'n' Roll Party, Vol. Unlike the previous release, which was in the 10 … Rock Around the Clock / Blue Suede Shoes / Tutti Frutti / Long Tall Sally (track 1) Jambalaya / Shake, Rattle and Roll / Bop-A-Lena (tracks 2, 2) Swing the Mood (tracks 1–2, 2, 10) If you have any requests for featured articles or want to submit your own content for consideration for inclusion then please contact us. Rock Around The Clock. Haley may have started his career as a country singer, but by the time he cut "(We're Gonna) Rock Around the Clock" in 1954, he had merged those roots with a love of jump blues. Catalogue #DOY613, Last edited on 17 September 2020, at 21:16, https://en.wikipedia.org/w/index.php?title=Rock_Around_the_Clock_(album)&oldid=978943686, Creative Commons Attribution-ShareAlike License, "Thirteen Women (And Only One Man in Town)", "Dim, Dim the Lights (I Want Some Atmosphere)", Bix Reichner, Mildred Phillips and Jimmy Ayre, This page was last edited on 17 September 2020, at 21:16. Most of the album's contents had in fact been previously issued by Decca earlier in 1955 on the album Shake, Rattle and Roll. 1 [United Audio], Number 1 Rock 'N' Roll Collection [K-Tel #1], That's All Right: The Dawn of the Rock & Roll Era, We're Gonna Rock We're Gonna Roll: It's Only Rock 'N' Roll, The Ultimate Oldies But Goodies Collection: Rock Around the Clock, The Ultimate Oldies But Goodies Collection. [2][1], The recording was re-issued on 180 Gram vinyl in 2009 by Doxy Music it was manufactured in Europe. Ultimate Legends: Bill Haley & His Comets, Best of the 50's and 60's, Vol. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. Unlike the previous release, which was in the 10-inch format, the new album was a full 12-inch release and included additional tracks from 1955. Released by Decca Records in December 1955 it was, like the two albums that preceded it, a compilation album of previously issued singles. With Bill Haley and the Comets, Bill Haley, The Platters, Ernie Freeman Combo.

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