Equally, after his diagnosis, Ed launches into a long diatribe against the British government, for their policy of not checking blood donations for his disease. Ian Keir Attard and Patrick Walshe McBride have a great moment playing friends who literally fall in love, incapable of standing upright, made acrobatic by the truth dawning upon them. All start times are 3pm ET unless otherwise noted. This play felt like an afterthought; hopefully he’ll stick to writing more about the word cunt from now on. is a classically trained stage, film, and television actor. have made the seamless transition to live-stream with this brilliant Halloween drag-fest, A Halloween theme this week, with pumpkins and students spooked by intruders, It’s the being told to have two weeks’ worth of food but only having half a shelf of fridge space for me, An appreciation post for Lady Macbeth and the comeback of theatre, Wednesday Cindies or Friday Fez? To get full contact details for Patrick Walshe McBride’s agent and Patrick Walshe McBride’s management staff, simply log in or register online today. Credits include Peer Gynt (Barbican), Photograph 51 (Noel Coward), Trouble in Mind (Theatre Royal Bath), Harold and Maude (Charing Cross), Hamlet (Kronborg Castle, Elsinore), The Winter's Tale (Crucible), Dracula (BBC/Netflix), Shakespeare and Hathaway (BBC), Giri/Haji (Netflix/BBC), Pixies (Youtube Red), Backdraft II (Universal) and Lake of the Dead (Pryserfilm). It felt as though Syborn was busy ticking his list of relationship problems: unwanted pregnancy, check. Sarah Marie Curry has been an actor and working artist for over a decade. Reading Greek Tragedy Online was created during the first weeks of the COVID-19 lockdown. TV credits include Broadchurch, Doctor Who and The Hollow Crown. . She has published widely on Aeschylus, the social and political history of Athens, and on theories of race and ethnicity in Greco-Roman antiquity and their reception in modern white supremacism and scientific racism. Paul O’Mahony is artistic director of Out of Chaos with whom he created the award winning Unmythable. For example, a bizarre scene in which Victoria tells Ed she’s pregnant, and she’s going to have an abortion, jarred with the rest of the plot; considering a baby had never been hinted at beforehand, and is never mentioned again afterwards. Toph Marshall is Professor of Greek at the University of British Columbia in Vancouver, Canada. It’s no easy task to recreate how these 19th-century aesthetes spoke. Oresteia: Agamemnon with Fiona Macintosh (University of Oxford) and Oliver Taplin (University of Oxford); translation by O. Taplin, Oresteia: Libation Bearers (or Women at the Graveside), Aeschylus with Anna Uhlig (University of California, Davis) and Oliver Taplin (University of Oxford); translation by O. Taplin, The Persians with Erika Weiberg (Duke University); translation by I. Johnston, Prometheus Bound with Joshua Billings (Princeton University); translation by E. B. Browning, Seven Against Thebes with Naomi Weiss (Harvard University); translation by I. Johnston, Suppliants with Rebecca Futo Kennedy (Denison University); translation by H. W. Smyth, with revisions by R. F. Kennedy, Assemblywomen (or Women in Parliament) with Francisco Barrenechea (University of Maryland, College Park); translation by G. Theodoridis, Clouds with Joel Schlosser (Bryn Mawr College); translation by I. Johnston, Ajax with Bruce King (Gallatin School of Individualized Study-New York University); translation by I. Johnston, Antigone with James Collins (University of Sydney), Paul Woodruff (The University of Texas at Austin), and participants from the Performing Wisdom Workshop; translation by P. Woodruff, courtesy of Hackett Publishing Company, Electra with Amy R. Cohen (Randolph College); translation by P. Woodruff, courtesy of Hackett Publishing Company; full reading available as well, Oedipus Tyrannus with Efimia Karakantza (University of Patras); translation by R. Jebb, revised by A. Sens, and further revised by G. Nagy, Philoctetes with Norman Sandridge (Howard University); translation by R. Jebb, Women of Trachis with Amy Pistone (Gonzaga University); translation by R. Jebb, Alcestis with Maria Xanthou (Seeger Center for Hellenic Studies, Princeton University); translation by C. A. E. Luschnig, Andromache with Katerina Ladianou (Center for Hellenic Studies); translation by D. Kovacs, Bacchae with Timothy Moore (Washington University of St. Louis); translation by T. A. Buckley, revised by A. Sens, further revised by G. Nagy, Electra with Robert Groves (The University of Arizona); translation by I. Johnston, Hecuba with Toph Marshall (University of British Columbia); translation by J. Kardan and L. Gray-Street, Helen with Joel Christensen (Brandeis University); translation by E. P. Coleridge, revised by members of Kosmos Society, Herakles with Anne-Sophie Noel (École Normale Supérieure-Lyon); translation by R. Potter, adapted by M. Ebbott and C. Dué, Hippolytus with Eirene Visvardi (Wesleyan University); translation by I. Johnston, Ion with Lucia Athanassaki (University of Crete) and Michael Scott (University of Warwick); translation by G. Theodoridis, Iphigenia in Aulis with Mat Carbon (Université de Liège) and theater director Adam Barnard; translation by E. P. Coleridge, Iphigenia in Tauris with Niall Slater (Emory University); translation by C. A. E. Luschnig, courtesy of Hackett Publishing Company, Orestes with Claire Catenaccio (Georgetown University); translation by I. Johnston, Phoenician Women with Anna Lamari (Aristotle University of Thessaloniki); translation by C. A. E. Luschnig, courtesy of Hackett Publishing Company, Rhesus with Mary Ebbott (College of the Holy Cross); translation by G. Theodoridis, Suppliants with Angeliki Tzanetou (Illinois at Urbana-Champaign); translation by C. A. E. Luschnig, courtesy of Hackett Publishing Company, Trojan Women with Robin Mitchell-Boyask (Temple University); translation by E. P. Coleridge, revised by members of Kosmos Society, The Chorus with Anna S. Uhlig (University of California, Davis), Performing Epic: The Iliad with Lynn Kozak (McGill University); translation by Stanley Lombardo (courtesy of Hackett Publishing Company). He has also published on Greek and Roman comedy, American comics, Battlestar Galactica, and The Wire. As of 2018, he has been a recurring regular on ABC’s General Hospital and has made multiple guest appearances on shows such as Bosch (Amazon), and The Middle (ABC). As an actor his credits include the Royal Shakespeare Company, English Touring Opera and several seasons at The Orange Tree Theatre. Efimia D. Karakantza is Associate Professor of Ancient Greek Literature, University of Patras, Greece. Ex. Washington, DC 20008 |, encouraging groups to host full readings of tragedies (see, a competition for high school groups to stage scenes from. read more What is Patrick's zodiac sign? Sarah Finigan has numerous credits at Shakespeare’s Globe. He is also a Managing Director for Yonder, a software company that analyzes online affinity groups, coordinated propaganda, and the influence mechanics of the internet. He maintains a research interest in classical reception and the work of Greek composer Mikis Theodorakis. They have toured extensively throughout the UK, Europe, the US and New Zealand, winning multiple awards. Ok, so what are those green pills Beth takes in The Queen’s Gambit? Greco-Roman antiquity is an important aspect of his creative work, including an operatic trilogy on Aeschylus’ Oresteia and numerous chamber pieces. Links to recordings of previous episodes are below. Much of her work has involved adaptation, and to date, she has written a dozen plays and operas based on Greek classical sources. With such a weak plot nothing they could have done would have kept the audience interested. Then there are scenes with a more surreal edge. Richard Neale is associate director of Actor From The London Stage with whom he has toured the US playing leading roles in The Tempest, King Lear and Othello. Tabatha Gayle is a New York based multi-disciplinary creator and performer who has developed work at various theaters, such as Musical Theater Factory, Ars Nova, and Poetic Theater Productions. His short film BLACK? Paul Woodruff is a classicist, professor of philosophy, and dean at The University of Texas at Austin. He attended the Midsummer in Oxford program in 2018 which changed his life forever! He has since worked internationally in theatre, television and film. Her directing work explores applications of mixed realities, immersive theatre strategies, and game mechanics in new play development and reimaginings of classic texts. Her interests lie within the intersection of ancient history, material culture, and classical philology, and include epichoric identities in the coastline of Northern Greece, resilience in ancient communities and urban clusters, history of emotions, Greek lyric poetry, both monodic and choral (Stesichorus, Pindar, and Bacchylides), Aristophanic and Attic comedy (5th c. BCE), Attic rhetoric (Isocrates), history of classical scholarship, and e-learning. She has been nominated for and awarded numerous awards, including the Daytime Emmy Awards, Indie Series Awards, Broadway World Awards. Damian Jermaine Thompson is a classically trained stage, film, and television actor. These 17 TikToks prove Robert Pattinson is the strangest human being on this planet, ‘Stay Close’ is the new psychological Netflix series from the creator of The Stranger. Watching Ed and Victoria act out moments of tenderness, which I could recognise having done myself, almost made me cringe as I realised just how pedestrian love really is.

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