The images still look very good at 12800 ISO, although unsurprisingly deteriorate at the highest values. What to buy, and how to get the most from it. In my resolution tests, 1080 footage on the A7S III peaked between 24 and 60p, losing quality at 120p and even more at 240p, although as you can see here the footage can still look good. It has the same incredible low-light capability of its predecessors, but adds much-needed features like improved stabilization, a flip-out touch display and 4K video at up to 120 fps. Sony’s animal detection may not yet include eye-detection for birds – a feature that works a treat on Canon’s R5 and R6 – but the A7S III still managed to deliver a very high hit-rate with birds in flight. I was very impressed with the quality of 4k 120 on the Sony which virtually matches slower frame rates and only incurs a minor 1.1x crop. The only other camera that can do this is Panasonic’s Lumix S1H, which under the same conditions managed 117 minutes of 4k 60p before my 128GB card filled with 23% battery remaining – a very similar result to the A7S III, although the S1H applies a crop when filming 4k at 60p. It also improved autofocus and other features that I already liked, keeping the A7S III far ahead of rivals. If you need that, get Sony’s similarly priced A7R IV with a category-leading 61 megapixels. The resolution may sound low compared to rivals, but it’s still enough to capture 4k video and crucially by having fewer pixels in the same area, they can be larger and more sensitive to light. The two cameras are presented according to their relative size. Given the much higher ISO range and lower noise levels, though, it’s more than sufficient. The camera certainly is one of the most popular mirrorless bodies of 2020. Incredible low-light performance and every feature you need. FilmConvert announced that it has added its picture profile for the Sony a7S III. Feature for feature, it's simply the best camera I’ve ever tested. Just be mindful that high frame-rate 4K 10-bit video at maximum quality requires a fast and costly CFexpress card -- with 80GB and 160GB cards costing $200 and $400, respectively. Sony’s 12.1-megapixel A7S III was worth the five-year wait. There’s 51 pages of settings for still modes or 49 for video modes, and all were easier to find and navigate than the previous system. The Sony A7S III is a mirrorless interchangeable lens camera designed primarily with video makers in mind. If you’re into grading, you can apply the usual picture profiles with S-log 2 and 3 and Sony claiming up to 15 stops of dynamic range. In my review video you’ll see the A7S III in 1080 24p and again in another clip behaving pretty well. Now Sony have launched the A7S III mirrorless camera, which they claim delivers “The best 4K Sony ever made”. Above: In terms of video, I managed to record two hours and 40 minutes of 4k 24p on a single charge – and in a single clip with no overheating either, but more about that in just a moment. The A7S III is nearly identical to the A7R IV, which is a good thing because the A7R IV is Sony’s best handling camera yet. It stays locked on, no matter how fast your subject moves, giving you sharp shots for sports, wildlife or lively parties. Above: And thank the maker! It records up to 4K UHD 120fps in 10-bit full-sensor internally. The A7S III doesn’t capture 8K or even 6K like Canon’s EOS R5 or the BMPCC 6K, but those resolutions are still largely gimmicky. starting with a run through the sensitivity range, and in the absence of RAW converters at the time I made this review, all my photos are JPEGs out of camera. On the plus-side, 1080 240p doesn’t crop and autofocus is still available. I wish the mode dial had a push-to-lock button, so you don’t have to awkwardly hold the button while turning the dial and I also slightly prefer the layout on Panasonic’s S5, as it has dedicated dials and a button for shooting and AF modes. Sony claims the A7S III can record an hour of 4k uninterrupted, but I found it could do much better in most modes. Above: The presence of phase-detect autofocus may be expected from a modern Sony body, but it transforms the usability of the camera compared to its predecessors which were contrast-only. And it still includes the incredible high-ISO performance that the A7S lineup is known for. It’s now feasible to use this camera for vlogging or solo shooting. Despite the very modest amount of spare pixels to over-sample with, I’d say 4k 24 to 60p was a tiny bit crisper than 4k 120, but it involves serious pixel-peeping to see the difference. For the maximum slow-down, you’d choose a frame rate of 240fps and a record rate of 24p for a ten times slowdown which is what I used for all the clips in my review video. Sony a7S III – Lowlight Performance. However, I was able to edit them directly with no transcoding in Davinci Resolve on an NVIDIA RTX 2070 laptop. The FX6 is a full frame cinema camera with an impressive spec sheet. With Sony A7S III, you can record your videos at a highest resolution of 3840 x 2160 at 120p, 60p, 50p,30p,25p,24p fps with bit rates up to 500 mbps and save in MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264 and H.265 formats. Testing out the all new Sony A7siii.. 4k 4:2:2 10bit 120fps! Better still, the main and quick menus can be fully operated using the 3-inch touchscreen. Low light is where the Sony A7S III is really in its element. Its 4K sensor is only 10.2 megapixels, but like the a7S III, that's not as it sounds. Introduction. Our new a7S III sample gallery includes everything from night shots to portraits. Above: You’ll also notice Creative Styles have been rebranded as Creative Looks, with ten available for stills and movies, including vibrant and muted options as well as black and white and sepia. The A7S III can shoot at up to 10 frames per second with continuous autofocus, or 20 fps with the silent electronic shutter. Here’s everything you need to know about, including the biggest upgrades, coolest new … That brings us to this camera’s forte, video. Sony claims 5.5 stops of shake reduction, which is less than rivals like the Canon R6 and Panasonic S5. The A7S III now has a standard sensitivity range of 80 to 102,400 ISO which can be extended down to 40 ISO at the low-end and 409,600 ISO at the high. When filming 4k at 120p, the A7S III actually takes a 1:1 crop from the sensor without binning or scaling, whereas in all other modes it over-samples from slightly more data. Now, you can adjust things without any buttons, which is particularly useful when you’re filming with the display toward yourself. Sony’s subject tracking, along with the face and eye-tracking, already leads the industry -- and the A7S III takes it up another notch. Global Photography News Bringing you the latest photography news, reviews, tutorials from the Pros XAVC HS is available at 24 to 120p, with a maximum rate of 280Mbit/s for 4k 120p 10-bit 4:2:2. Face and eye detection are always a highlight of Sony cameras, with the A7S III inheriting the latest tech, plus faster processing by its new BIONZ XR engine. The Sony A7S III is a high-end full-frame mirrorless camera aimed at pro videographers and low light imaging. The Sony a7s III is one such camera. Of course Canon also now offers 4k 120 with autofocus on the EOS R5, but there’s no audio and as I mentioned a moment ago, a maximum clip length of 7.5 minutes and likely over-heating after about 15 minutes worth of footage whether you’re recording big clips or lots of little ones. If you want to give your computer a break, you can use the new “S&Q” (slow and quick) motion mode to capture at 60 fps or 120 fps with playback limited to 24 fps with no audio. If budget is an issue and you need an all around hybrid camera, check out the Canon R6, Panasonic S5 or Sony’s own A7 III, all between $2,000 and $2,500. With freelancers now working on their own more, the Sony A7S III … From my filming experience, ISO 16000 is the cleanest in my opinion when filming in high ISO settings. Better still, it’ll also allow the XLR-K3M accessory to support four channel 24 bit recording using stereo for the shotgun mic and mono for two additional XLR sources. I got to shoot with a final body running near-final firmware for over a week and in this review I’ll show you everything I’ve learned about the camera so far. Another first for Sony is the dual, dual card slots. The actual resolution of 4240×2832 pixels won’t come near to delivering the detail of higher resolution models, but there’s a very satisfying crispness to the images which again are bereft of noise until the sensitivity becomes very high. In other words, you don’t have to worry much about the battery dying mid-shoot. Review of the Sony a7S III covering dynamic range, autofocus, IBIS, build & ergonomics, codecs, image quality, & stability with comparisons to the Canon R5. With a wide ISO 40-409,200 sensitivity range and excellent autofocus sensitivity, the A7S III is up there with the best low light shooters. I also shot with the A7S III alongside the Canon EOS R5, R6 and Lumix S1H, so look out for my upcoming comparisons if you’d like to see how their photo and video quality measures-up. There’s also 2.4 and 5GHz Wifi along with support for FTP file transfer over wireless, USB or ethernet. As usual, it can’t replace a gimbal, but it’s effective for static shooting or smooth panning. Unlike Canon’s EOS R5 though, you don’t need CF Express for the best video modes on the A7S III – I used Sony TOUGH SD cards with 300Mbyte/s writes which supported all video modes. Plus, it can handle up to 600 photos, according to CIPA’s standards. There are better buttons, a deeper grip, a separate mic jack, fully articulating screen, and a full-size HDMI port which comes with a screw-on cable cage. Find out all the details in our full review. Published Jul 28, 2020 | Richard Butler. In this hands-on review I look at the a7S III in the context of capturing wildlife video and photos. In theory, HEIF should allow a broader dynamic range than JPEG, but again I’m waiting for better software support before I can fully evaluate it. The Sony a7 III sets a new benchmark for full-frame cameras thanks to its compelling combination of value and capability. Filmmakers can now rate the a7S III footage with FilmConvert Nitrate and achieve the desired footage look with precise colors. Video autofocus now beats Canon’s vaunted Dual Pixel AF technology, thanks to the sheer speed and AI smarts in Sony’s newest camera. Sony’s also equipped the A7S III with a new visible light and IR sensor to better-evaluate white balance. That creates a cinéma verité look that’s hard to replicate with other cameras. But compare a 65 minute 4k 120p clip on the A7S III with the EOS R5 which can only make 7.5 minute clips in 4k 120p and which under the same conditions shut down about six minutes into a second clip. Announced in July 2020, it comes almost five years after the A7S Mark II, making it one o Cameralabs Camera reviews, lens reviews, photography guides Sony a7S III First Impressions Review (4K/120p video, 16-bit Raw video) Best entry-level full-frame mirrorless camera: Nikon Z5 vs. Canon EOS RP. True it can get noisy, but the Sony a7S III can easily be regarded as a “night vision device”. You can shoot 4K at up to 120 fps, more than any other hybrid mirrorless camera except Canon’s EOS R5, giving you some crazy creative options. Sony’s quoting 510 photos with the viewfinder or 600 with the screen under CIPA conditions which is a little less than the A7r IV squeezes from the same battery, but comfortably more than the A7S II and also Canon’s EOS R5. Announced in July 2020, it comes almost five years after the A7S Mark II, making it one of the most long-awaited upgrades in the A7 series. 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