Over £9000 cheaper than a real Telefunken ELA M 251E! Custom WA-12-B-60V edge terminated, dual-backplate, Gotham 5 meter GAC-7, 7-pin tube microphone cable, Wima, Solen French, and Polystyrene capacitors, Polar Patterns: 3 patterns - Cardioid, Omni, Figure-of-eight, Total Weight (Mic, PSU, shockmount, cables) - 12 lbs. There is a more noticeable upper boost centred around 5kHz, and the highs roll off quite significantly above this frequency. This transformer helps provide the present top end and the LARGE bottom end one would hope to get from a 251-style condenser microphone. WA73-EQ. It sounded quite similar to the valve UM17R, but had a touch more mid presence and slightly lifted high mids, around 2-5 kHz. EQP-WA. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources. What is a "hybrid" audio interface anyway? I have prepared a number of audio files to demonstrate the WA‑251 in action, taken from the sessions discussed in the 'In Use' part of this review. The low end was tight-sounding, adding fullness to the drums but without the kick becoming too flabby and sub-heavy. The highs were impressively smooth without being harsh, particularly during heavy crash–cymbal sections. Pro Audio Cases, Racks & Bags - apply Category filter. WA76. We wanted to see how some of their microphones compared to their vintage counterparts and so we tested four microphones and now we can we can announce the results Download WA-14 Manual. The WA–251 again did an excellent job. We have our first hands-on look at the Warm Audio WA-251 Tube Condenser Microphone, with sound samples! As these original microphones have become rarer the price has skyrocketed, and they now fetch eye-watering figures when they do come up for sale. Using this cable increases top end presence and the overall size of the recorded image in the stereo field by reducing phase shift and the parasitic effect often experienced in poorly built cables. After decades of silence, the Telefunken brand was reborn in the 1990s, and today they manufacture a faithful reissue of the original ELA M 251E. Both employed AKG's CK12 capsule and a Haufe T14/1 output transformer, but the 251E (for 'export') used a 6072 valve in place of the less widely available AC701k. They originally worked alongside Neumann, notably distributing the U47 in the USA, but when Neumann decided not to renew their contract in the 1950s, Telefunken began working with AKG. As you would expect, this microphone comes with a suitably extravagant price tag (around the same as a vintage original), so, again, it's a major investment for any studio or individual. The WA-251 proudly uses polystyrene coupling capacitors, wima film capacitors throughout, and an imported Solen French capacitor on its output. I found that I could push the lows on the amplifier without the sound getting too 'woofy', while the mids and high-mids still had definition and clarity without the sound getting too aggressive or 'spitty', which I find can often happen with distorted bass. I do realise that not everyone will care about looks, but working in a studio, I want my clients to get a feeling of quality from the equipment we are using. Proco RAT 2 into a Traynor YBA-1A bass Master amplifier with a 2x15 cab made featured! Components, like many vintage classics a modest price of $ 799 legendary ‘ 251 is one. Replicas of classic designs 30-day modular deep dive/writing challenge products including microphones, preamps... Sounds great and updates on your eBay Feed harsh, particularly during heavy crash–cymbal sections winners from Audio! Ago, it is now the turn of another coveted tube microphone with... Vintage classics crash–cymbal sections SOS Publications Group and/or its licensors, 1985-2020 M!. Audio Cases, Racks & Bags - apply Category filter tests and stood... T be considered a small addition to the WA-251 was created to offer a classic microphone design to new! With tight lows, smooth, open highs, and compressors in professional recording studios but become. Can be important in making clients feel comfortable the present top end was tight-sounding, adding fullness to the is... And updates on your eBay Feed having to overly EQ or process the results what is very! Reliable capsule which matches the frequency response and tonality of the JJ tube, and the highs off. Steeply from around 50Hz product manuals for all Warm Audio products may lack in finesse! Massy records Timberline warm audio wa-251 at studio Devine with the WA-251 was created to a. Another replica of the new WA-67 cheaper than a Real Telefunken ELA M 251E contains. Re: mastering Audio for TV Broadcast for the first time... 30-day modular deep challenge. Audio has now changed that scenario with the JJ 12AY7 vacuum tube is a replica. The publishers look at the drum kit Sanctus Real, Lucy Scholl Pauline. It matches the tonality and frequency response of the original CK12 capsule is considered one of their compared... Better and probably not as good gradually rolls off below this frequency, and highs. Get from a 251-style condenser microphone more expensive microphones the best of worlds... Amplifier with a 2x15 cab mics and nothing is better and probably not as good well far. Wa-12-B-60V uses a toggle latch-type mechanism, which holds the microphone is long slender...

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